The Sign in Sidney Brustein’s Window Archives

Photo by Bruce Clayton Tom, courtesy of The Williams Project
“The Amen Corner,” The Williams Project, 2021?

” data-image-caption=”

Cast of the first professional production of “The Amen Corner” by James Baldwin in Seattle pose for a picture. (Photo: Bruce Clayton Tom, courtesy of The Williams Project)

” data-medium-file=”https://i0.wp.com/southseattleemerald.com/wp-content/uploads/2022/10/2021_01.14_TheAmenCorner_TheWilliamsProject_BruceClaytonTom_001.jpg?fit=300%2C193&ssl=1″ data-large- file=”https://i0.wp.com/southseattleemerald.com/wp-content/uploads/2022/10/2021_01.14_TheAmenCorner_TheWilliamsProject_BruceClaytonTom_001.jpg?fit=474%2C304&ssl=1″ data-lazy-srcset=”https: //i0.wp.com/southseattleemerald.com/wp-content/uploads/2022/10/2021_01.14_TheAmenCorner_TheWilliamsProject_BruceClaytonTom_001.jpg?resize=672%2C372&ssl=1 672w, https://i0.wp.com/southseattleemerald.com /wp-content/uploads/2022/10/2021_01.14_TheAmenCorner_TheWilliamsProject_BruceClaytonTom_001.jpg?resize=1038%2C576&ssl=1 1038w” data-lazy-sizes=”(max-width: 1038px) 100vw, 1038px” data-lazy-src= “https://i0.wp.com/southseattleemerald.com/wp-content/uploads/2022/10/2021_01.14_TheAmenCorner_TheWilliamsProject_BruceClaytonTom_001.jpg?resize=1038%2C576&ssl=1&is-pending-load=1” srcset=”https: //news.google.com/data:image/gif;b ase64,https://news.google.com/R0lGODlhAQABAIAAAAAAAP///yH5BAEAAAAALAAAAAABAAEAAAIBRAA7″/>

Two plays from Black, queer playwrights are as relevant now as ever before

by Victor Simoes

The Williams Project, a Beacon Hill-based theater company that challenges the classic economic model of theater, prepares to open the 2022–2023 season centered around Black, queer writers with the first-ever production of James Baldwin’s The Amen Corner in Seattle.

Continue reading Beacon Hill’s The Williams Project Reimagines Baldwin and Hansberry

Arts and CultureBlack PlaywrightsFeaturedLGBTQIA+PlayThe Amen CornerThe Sign in Sidney Breastein’s WindowThe Williams ProjectTheaterVictor Simoes